![]() Rebelle may not be an overtly political artist-having grown up in a community whose relationships with police and authority were fraught and full of mistrust, she describes herself as “political by default”-but this mix is very much rooted in notions of blackness, a point that’s underscored by early selection “ I Dream So Loud,” in which Bay Area poets Tenesha the Wordsmith and Daniel B. Midwestern house veterans like Andrés, Hieroglyphic Being, and Reggie Dokes sit alongside experimental producer Loraine James and bass upstart Afrodeutsche. ![]() It’s telling that so much of the Josey in Space tracklist is populated by black artists, British and American alike. ![]() Although she reins that in slightly on Josey in Space, the mix is a far cry from the rigid genre exercises that many official mix series tend to offer. DJing is her calling card-Rebelle doesn’t produce-and she’s developed a reputation as an eclectic, highly knowledgeable selector who’s just as comfortable playing moody jazz, blues, and soul as she is dropping blistering acid and thundering drum’n’ bass. Josey in Space is Rebelle’s first official mix album-and only the second installment of the Beats in Space-curated mix series, following last year’s excellent Powder in Space-and it arrives just months after she was awarded BBC Radio 1’s Essential Mix of the Year and subsequently landed on the cover of DJ Mag. In many ways, her biography is quintessentially British, but her artistic vision extends well beyond the borders of the UK. A North London native with Caribbean roots, she started DJing at age 13, became a hardcore and jungle fanatic before she’d even finished high school, and is now arguably best known for her work on seminal radio station Rinse FM, where she’s been on the air since 2011. Perhaps Josey Rebelle can help change the narrative. and UK dance music are often portrayed as completely separate worlds, parallel entities rather than two pieces of a larger conversation. There’s an ongoing dialogue, particularly among black artists, yet U.S. Twenty-five years later, Chicago producer DJ Rashad reinvigorated the distinctly American sound of footwork by injecting it with UK jungle rhythms. helped inspire UK rave culture and the country’s Second Summer of Love. There are innumerable points of overlap between these two spheres, and the exchange has gone both ways.
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